Withnail and I (Bloomsbury Film Classics)

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a b c d e Ong, Rachel. "Withnail and I in Camden". Time Out. Archived from the original on 20 February 2006 . Retrieved 10 May 2008.

Now look, you. Those pheasants are for his pot. These eels are for my pot. Now what makes you think I should give you something for your pot?Wiegand, Chris; editor, Chris Wiegand Stage (11 October 2023). "Withnail and I creator Bruce Robinson adapts film for the stage". The Guardian. ISSN 0261-3077 . Retrieved 12 October 2023. {{ cite news}}: |last2= has generic name ( help) You're looking very beautiful, man. Have you been away? St. Peter preached the Epistles to the Apostles looking like that. Have you got any food? The joint I am about to roll requires a craftsman and can utilise up to twelve skins. It is called a Camberwell Carrot. Marwood goes into his room and slams the door. Withnail is left at the top of the stair in the dark, looking scared. He's right, Withnail. Look at him. His mechanism's gone. He's had more drugs than you've had hot dinners.

McGann, Paul (1999). Withnail and Us. Channel 4. Event occurs at 6:02. Marwood was always like that little grain of sand... This place has become impossible. Perpetual rain, freezing cold and now a madman on the prowl outside with eels. Robinson, Bruce (9 July 2001). " 'Withnail and I' (essay)". The Criterion Collection . Retrieved 26 April 2020. Marwood is in bed. He has barricaded the door by propping a chair against the knob. There is a determined push at the door from the other side which dislodges the chair and Monty enters.They enter the house. Marwood lights a match and as the light comes up the inside of the cottage becomes visible. It is rather spartan. It was a tactical necessity. If I hadn't told him you were active, we'd never have got the cottage. I know where you are. You're at Crow Crag. [To Withnail] I've been watching you. Especially you. Prancing like a tit. You want working on, boy.

Buy the wellingtons. I'm going to go and buy some razors and some shaving soap. I'll see you overe there in half an hour. Marwood is paralysed with fear and looks on in horror, then Withnail executes his plan. They push past the big Irish man and race for the door in a blind panic, screaming. The car They leave Camden in Marwood's battered old Jag. Withnail, still in his suit, has a bottle and is clearly drunk. They pass some schoolgirls. You don't understand. I think there may be something living in there. I think there may be something alive. I'm a friend of Montague Withnail. He's lent us his cottage. I wondered if you could sell us some food. Eggs and things.What is all this tactical necessity and calculated risk? It's me, naked, in a corner. And how dare you tell him I love you? And how dare you tell him you rejected me? How dare you tell him that!? The sergeant pulls the screen aside and sees Withnail with the contraption that Danny gave him. He grabs the tube and urine splashes everywhere. Withnail grins sheepishly.

He tries to lean on a convenient post but misses and staggers a bit. He points meaningfully at the various customers as he leaves, shutting his coat in the door. I tried to get fuel and wood. There's a miserable little pensioner down there. She wouldn't give it me. Listen! It's not me, it's him. He lied to you. We're in an affair, we have been for years. But he doesn't want you to know. He doesn't want anyone to know. We're both in to; we're obsessed with each other. But he's estranged. He won't come out and accept what he is. That's why he's rejecting me while you're here. On my life Monty, this is the first night we haven't slept together for six years. I can't't cheat on him, it would kill him!I don't want to hear it. I don't want to hear anything. My God, it's a nightmare out there I tell you. It's a nightmare. Listen. I know what your thinking, but I had no alternative. The old bugger's come a long way and I didn't want to put the wind up him. Keahon, Jena (31 January 2015). "Here are the Films That Inspired This Year's Sundance Filmmakers". IndieWire.